William Holman Hunt found advantages in using both oils and watercolours and would often capture the same themes with both. For example, when travelling around Cornwall in the South West of England he would produce oil paintings and watercolour landscape scenes from the same positions, often overlooking rocky cliff tops with stunning blue seas. Watercolour painting was perhaps used more in British art than in any other part of Europe and holds a respected status within this region. The tones found here and finishes of gradiented marks of water seem to suit the unique landscape found here. Additionally, when the artist was travelling around the Middle East he would sometimes find it hard to persuade locals to pose for him and, as such, most of his watercolour paintings from this region would be brightly coloured landscape scenes.

The artist was famous for incorporating huge levels of detail into his work, and continued this technique into his watercolours. That was relatively unusual, as most artists would leave large plains of single colours using this medium, and leave a more expressive finish rather than concerning themselves with every last element of the composition. The fast-drying nature of them meant that many would have to work equally quickly and therefore avoid anything that was not entirely spontaneous. Holman Hunt could not adjust to this style and preferred planning and control of every element.

On the rare occasions that he did not go into minute details, it would be when using this art form to produce fast sketches in a similar way to how he produced pencil drawings. The different between the two were that his fast watercolours would also have a variety of colour that might help him in planning later pieces. One side point from his focus on huge amounts of detail right across each composition was that it would become harder to decipher which was the main focal point of each painting, though this did not concern the artist at all.